Monday, November 14, 2005

The Best Things in Life Are Free....

Hey lookity look! We have a flyer! And you are coming on Friday! Feel free to post this wherever you would like (blogs, myspace, or you can even make it into a costume and parade around NYC, right Jerry?)



click here to rsvp for free admission before 11 or email rsvp@newyorkunderbelly.com.

Crash Mansion is located 199 Bowery between Spring St. and Rivington. The closest subway stops are the 6 train at Spring Street, the J/M/Z at Bowery, or the F train to 2nd Ave stop.

Come pick up your FREE copy of Underrated Magazine on Friday!

  • JAYMAY - Letter
  • JAYMAY - The Only One I Love
  • A Brief Smile - We Could Get In Trouble
  • A Brief Smile - And So It Begins
  • The Diggs - Trouble Everyday
  • The Diggs - It's Just Like You Say

  • Dear Scene

    hip·ster: n. Slang - One who is exceptionally aware of or interested in the latest trends and tastes

    I had to look this up, because I was going to write this entry on the existence of the quote unquote hipsters in New York City, but I didn't want to go ahead and do that before I got a definition. The definition doesn't really help, which is actually better because I don't know what a hipster is and I don't think anyone knows what one is. But I think I have to say, I don't think I am one.

    Friday night was to be my night of celebration for a couple of tough months, a night out on the town perhaps. First stop was Pianos to check out The Teeth and Spinto Band. Pianos was packed, as it usually is on a weekend. Chrissy and I grabbed our drinks and I showed her the proof of the magazine while we waited for Amanda. If there's anyone who deserves a first look, it’s Chrissy. She worked her ass of, and luckily she was pleased with how it looks on paper. When Amanda arrived and told the horrible tale of the L train, we made our way to the back just as The Teeth had taken the stage. We walked in about 1 foot. Yes, that's where we had to stop. If you've ever been to Pianos you know it's not the biggest space, but my god. I have never seen it that packed. The Teeth were fantastic and crazy. I couldn't see much, except a My Name Is Earl-esque mustache from one of the guitar players. That was pretty cool. I remember "I Love You" being a highlight. But the whole set was pretty solid and sounded great.

    We ventured out of the hallway to where were confined to get some more drinks before the Spinto Band took the stage. It was even more packed. Where do all these people come from? Before we had time to contemplate that, we heard some sweet musical tunes so we turned around and walked another 2 feet right inside of the door. For the entire set I had my back to the stage, because I couldn't see a thing. If only I were about 2 feet taller. I wasn't as impressed by Spinto Band than I was by The Teeth, but that's not to say they didn't sound good. It was just hard to enjoy the show from my standpoint. However, when they played "Dear Mandy," you can bet that I sang my little heart out.

    So we finished up our drinks and squeezed past the ever-increasing crowd and finally breathed some fresh air. With a little pit stop, we found ourselves at Orchard Bar for the after party where The Tarts of Pleasure were on decks. I had been meaning to hit up Orchard Bar for months (okay like a year) now, but either was too drunk at the time or somewhere else. I guess everyone else makes a better effort because Orchard was packed just like everything else in the Lower East Side on a Friday night. We squeezed past the masses to the end of the bar and while I was ordering my drink I felt a tug on my hair. I turned around to find Liz who was just about to leave because she couldn't find us. We grabbed our drinks and headed back to the "dance floor" where there was a little more room. Just a little.

    I never ventured out to "clubs" ever because I'm no dancer and I assumed I wouldn't be down with the tunes. It wasn't until my summer in London that I realized that some clubs were worth the drunken dance moves. But there's a huge difference between the crowds at these "clubs" in London than New York. In London you would get these kids out there that would just go nuts over the music the DJs were playing. They didn't even need alcohol, they'd be screaming along the words and dancing up a storm. I didn't feel that in New York. While I was getting excited by each new track played by the Tarts, everyone else seemed pretty unaffected from tune to tune. I don't think it was the music that was bringing all those people to Orchard Bar, it was more of a "scene to be seen."

    But this is nothing new. So as I got sick of my own singing, we squeezed back outside. Chrissy and Amanda called in a night, while Liz offered to buy me a drink at 2A. One drink later, I was in rare form so I hopped in a cab back to Brooklyn. I have no qualms with anyone that wants to call themselves a hipster, and if hipsters really do exist, then that's fine by me. I just hope that they go see these bands and go buy the music before they hit up all the after parties.

  • The Darkness - One Way Ticket
  • The Cribs - Hey Scenesters!
  • Brakes- Heard About Your Band
  • Nightmare of You - Dear Scene, I Wish I Were Deaf
  • We Are Scientists - This Scene is Dead

  • Friday, November 11, 2005

    All Things Considered

    So pumped right now. Not only is it Friday and my French class was canceled because of the NYU Graduate students striking, BUT I just received the proof of the magazine and wow. It looked good on screen but I can't believe what it looks like holding it in my hand. It's like a child. And a beautiful one at that.

    I saw Shopgirl last night and probably should have opted for something else. It has been months since I've seen a movie in the theaters, so it was good to sit in an extremely cold room and munch on popcorn. The movie was okay. It was a little strange, and not usually in the best way. Jason Schwarztman stole the show. I adore him. I remember seeing Phantom Planet play three years ago when he was still drummer of the band, pre-OC fame. He is one crazy cat.

    Tonight I'm heading over to Pianos for a much hyped show featuring PA-based band, The Teeth and NYC's own The Spinto Band. Both bands I've learned and listened to on the blogosphere and I'm interested to check them out live.

  • The Teeth - The Man Without A Motive
  • The Teeth - Peter Goes to 43rd St...
  • The Teeth - I Love You
  • The Teeth - Mercy, Mercy, Pudding Pie

  • The Spinto Band - Crack The Whip
  • The Spinto Band - Oh Mandy
  • The Spinto Band - Brown Boxes

    The award-winning dynamite duo The Tarts of Pleasure will host the afterparty at their weekly party, Stolen Transmission, at Orchard Bar. Congrats to both Karen and Sarah for winning three Nightlife Awards from Paper Magazine: Best Promoters (the tarts of pleasure), People's Choice Award for Best Party (stolen transmission) , and People's Choice Award for Best DJ (ultragrrrl).



    And don't forget, NEXT FRIDAY we'll be hosting the party at Crash Mansion where your grubby little hands can take the latest copy of Underrated Magazine. Be sure to rsvp by emailing rsvp@newyorkunderbelly.com or click here after tonight to get free admission before 11 and half price if you show up afterwards. Get there early to enjoy the OPEN BAR from 9-10 and stay late to check out all the bands we have to offer. We'll have a pretty flyer for you next week.

    Have a super weekend!

  • Thursday, November 10, 2005

    One Foot In Front of The Other

    There were times when things were simple. I had no idea what I was doing when I interviewed bands, I envisioned big things for each one that I met, and the bands were entertained by my enthusiasm. I don't think I've necessary become a skeptic, yet, but I know a lot more about this whole business than I did before. I'm not wide-eyed, but I am persistent, and let's face it...a little bit possessive.

    Everyone feels it, when they see a band they have loved and known make it to that mainstream level. You want the best for them, but you can't help but become selfish. So as I stood in a packed Rothko last night and watched The Upwelling play, I accepted the facts. You can see it in their eyes that they are ready for that next level. Ari especially, yearns to have girls right up to the edge of the stage screaming and holding out their hands for him. He's already got the whole rock-star thing down pretty good. The songs, old and new, are above and beyond what they started out with, especially considering they all resonated form a basement recording studio in Brooklyn. It was a treat last night to hear them play "In Your Arms/Sam," a song they haven't played in months. It was the first song I ever heard by The Upwelling and last night it sounded fantastic, yet quite different...which seems appropriate now.

    I caught up with Josh afterwards and we chatted for awhile, and I still laugh at remembering how many times I've talked to Josh, frustrated, and yet he finds a way to convince me otherwise. He always insists that they haven't yet "sold-out" according to my definitions, and that they are doing everything they can to make themselves a better band. I never accepted that answer before, mostly out of fear. And even though he said "off-the-record" about five times while talking (I wondered if I had a hidden tape recorder that only he knew of), he's right. I don't know why I don't want success for the bands I most love. I suppose I just want it to remain authentic, and with the way our industry is these days, it can be hard to keep that intact.

    I've had far too many analytic posts about this band. Just listen to me when I say: expect big things. New keyboard player (okay, not that new) got a cool solo while Ari was tuning his guitar during the set. He’s pretty damn good. They played some new tunes that I really liked and Ari was wearing those shoes again. Maybe instead of me debating in my head the future of this band, I should be formulating a plan to steal those shoes. Just a thought.

  • The Upwelling - The Steps

    After The Upwelling was a band called Murder Mystery that was a nice surprise. Another three-person band, with a girl drummer, and a lead singer with a voice kinda like The National. Oh and some of those bass lines were just incredible. Each member seemed to be quite the musician. It's dark and moody pop with catchy beats. I guess that in and of itself is a mystery to me.

  • Murder Mystery - Think of Me
  • Murder Mystery - Honey Come Home
  • Murder Mystery - Who Doesn't Wanna Give Me Love

  • Wednesday, November 9, 2005

    The Day After

    I needed a good 24 hours to unwind after releasing the issue. I must give up a huge HUGE thank you to Chrissy and Lana who came over on Sunday and kept telling me to breathe while working their asses off into the wee hours of Monday morning. I couldn't have done it without their help. And thank you to everyone who sent me messages about the new issue. I'm glad you like it. I'm having a hard time looking at it anymore. Give me a week.

    So let's recap back to last Friday when I should have been working but instead went to profess my love to Mr. Tom Vek. Wes kidded about my obsession, but it's no joke. I'm genuinely addicted. The show, however, could not and did not live up to my own hype. It wasn't bad, by any means, but it wasn't the epic performance that I had expected. Jerry is right -- it sounds exactly like it does on record, which is definitely a feat in and of itself, but doesn't make for a great show. I had fun though, and Knitting Factory was packed. Wes and I asked ourselves how do all these people know about Mr. Vek? Maybe they read my love letters...next time tell him to play "Cover." It was the one song he left out. Perhaps he's waiting to perform it in the comfort of my apartment.

    So you are pumped for the show on November 18 right? It's going to be fantastic. We at Underrated also have some other craziness coming up, including a show with Liberated Matter at Pianos on December 3 and a Issue Seven Release Party (Part Deux) December 17 at Fat Baby. I can tell you now that the boys of The Five O'Clock Heroes will finally return to New York and will headline the show. They look pretty good on the cover, don't they? Wait until you see them play.

    So tonight I'm debating between Lost and The Upwelling at Rothko. It's harder than it sounds. I will of course tape Lost either way but I have friends who are threatening to call me and tell me who dies. Not cool. Good thing my phone is broken! So yes, I'll be heading out to Rothko. Not only has it been at least a month since I last saw The Upwelling (which is like years in my terms), I am in dire need of a night out to have some fun. Feel free to buy me a drink.

    I'm still listening to music.

  • The Cloud Room - We Sleep In The Ocean
  • Surefire - Love's On The Inside
  • Picture - It's Alright
  • Army of Me - Going Through Changes
  • Tapes 'n Tapes - Cowbell
  • Calla - Pulverized
  • Aberdeen City - God Is Going To Get Sick Of Me
  • Death Cab For Cutie - Different Names For The Same Thing
  • The Dead 60's - New Town Disaster
  • The Hold Steady - Your Little Hoodrat Friend
  • Punish The Atom - I Can't Remember The Last Time My Brain Stopped Working
  • M.I.A. - Fire Fire

  • Monday, November 7, 2005

    It's Here! Issue Seven!

    (drum roll please)



    Download here. Now. It's FREE!


    And in case you forgot, inside:

  • The Five O'Clock Heroes
  • Aberdeen City
  • The Boy Least Likely To
  • The Changes
  • Clap Your Hands Say Yeah
  • The Cloud Room
  • Colored Shadows
  • Country Club
  • Kevin Devine
  • The Diggs
  • Feist
  • FeverKing
  • Matthew Good
  • Innaway
  • JAYMAY
  • Levy
  • Longwave
  • M-Lab
  • Nightmare of You
  • Oneida
  • Parts & Labor
  • The Raveonettes
  • Christopher Rees
  • Sam Champion
  • Say Hi To Your Mom
  • Secret Machines
  • Sickabod Sane
  • Stellastarr*
  • Tim Williams

  • Friday, November 4, 2005

    Issue Seven Mix

    It's been a long time coming, but come Monday, Issue Seven of Underrated Magazine will be available online. I may be a bit biased, but I must say, it's pretty damn good. We definitely kicked it up a notch. We are so proud to feature all the artists in the magazine, because they are, in fact...underrated. If we had buckets of cash lying around, we'd pull a CMJ on you and include a CD sampler in each issue. But alas, we are quite underrated ourselves and can't do that just yet. So instead, I will bring you to my level of excitement (if possible) by providing you with a song from each artist featured in this next issue. Take a listen, support the artists, and get ready to read all about them Monday.

    Oh yeah. And if you live in NYC you can come pick up your FREE (yes that’s right) issue at our party on November 18. And if you don't, clear your schedules for December 17 to party with us all over again.

    Be sure to subscribe (link to your right) to be the first to receive the magazine in your inbox Monday Morning.

    Without further adieu, I present you a musical guide to Issue Seven of Underrated Magazine...

    Cover Story: New York Meets London

  • The Five O'Clock Heroes - Head Games
  • FeverKing - Genius Boy
  • The Boy Least Likely To - Monsters
  • Christopher Rees - Haitian Cannonball

    The Locals
  • Longwave - I Know It's Coming Someday
  • Stellastarr* - Lost In Time
  • Clap Your Hands Say Yeah - The Skin Of My Yellow Country Teeth
  • Oneida - August Morning Haze
  • The Cloud Room - Blackout!
  • Nightmare of You - My Name Is Trouble
  • The Diggs - Stagg
  • M-Lab - Better Company
  • Jaymay - Letter
  • Kevin Devine - No Time Flat
  • Sam Champion - Too Broke
  • The Secret Machines - Sad and Lonely
  • Say Hi To Your Mom - Poor Pete Is A Bit Self Conscious
  • Parts & Labor - A Great Divide
  • Chris Burns aka Sickabod Sane - Um (Somebody)
  • Country Club - Have It
  • Levy - In The Woods

    The Tourists
  • Aberdeen City - Mercy
  • Innaway - Rise
  • Feist - One Evening
  • The Changes - Not Too Serious
  • Colored Shadows - Life After Love
  • The Raveonettes - Love In A Trashcan

  • You Set The Fire In Me

    How do I love Tom Vek? Let me count the ways...

    1. His incredible debut, We Have Sound has been on constant rotation in chez Rachael. No joke, I listen to it at least three times a day. And it's still my pick for best album of the year. No question.
    2. He's British. I'm British. And you know British people are so much cooler.
    3. His album was recorded in a garage. He played all the instruments. He plays live with a full band, and it sounds just as good.
    4. I can dance, sing, and relax to his music....all at the same time.
    5. He's not a bad looking guy. And only 24 years old. Set me up.
    6. I wrote a play entitled "A Little Word In Your Ear" for a playwriting class. When I couldn't think of dialogue, I used his lyrics. My professor thought it was "fantastic."
    7. He may be called the "British Beck" but this guy has created a world of sound all his own.
    8. "Cover" is pure pure genius.
    9. It's a shock that he hasn't already blown up in the UK. Let's be first for once, then, shall we?
    10. He plays The Knitting Factory tonight and is DJing at Scenic afterwards. I haven't been this excited for a show in a long time.

    Need more proof? Ok.

  • Tom Vek - A Little Word In Your Ear
  • Tom Vek - Cover
  • Tom Vek - Nothing But Green Lights
  • Tom Vek - I Ain't Saying My Goodbyes

  • Thursday, November 3, 2005

    Playing the Victim Card

    Very very brief recap of Gothamist's Movable Hype 5.0. Here we go:

    Came late, left early. Saw the tail end of Bravo Silva who sounded pretty damn good. Knitting Factory was packed. No free beer when I got there, but I was fine with $3. First time finally seeing Snowden after many months of adoration. Mostly new songs, ended with "Black Eyes" into "Victim Card" which was frickin fantastic. They rocked, The Cloud Room rolled. Last time seeing them was when they opened up for Maximo Park. I was impressed then, I fell in love last night. They brought up their friends again for "Hey Now Now." Very funny guy break-dancing up on stage. My new friend Joe really liked them. I was yawning and tired so we ducked out before the last band. Kudos to the DJ who played Five O'Clock Heroes upon my entrance and Nightmare of You upon exit. They must have sensed my presence. Tonight Snowden plays again at Fat Baby. Totally worth going. Totally.

    Snowden @ Knitting Factory

    The Cloud Room @ Knitting Factory

    Jerry has a Tom Vek remix up. So pumped for this show on Friday.

    You Aint No Picasso has an mp3 by ToothFairy. It's a cheesy love song with catchy Postal Service-esque beats. Right up my alley.

    A demain.

    Wednesday, November 2, 2005

    Coming Up

    I can't write elaborate posts this week. But you'll forgive me when you check out issue seven on Monday. About a week ago I was ready to throw in the towel. But the genius that is my friend Chrissy has completely revamped the look of the magazine, and I'm a bit obsessed. Ok, really obsessed. I bring the pages to my bed to cuddle up with at night. Just kidding...or am I? Anyways, I can't wait for you all to see it.

    Tonight I'm heading over to Knitting Factory for Gothamist's Movable Hype 5.0. Great lineup: Snowden, The Cloud Room, The Capitol Years, and Bravo Silva. $3 buds too. Not too bad.

    Thursday Snowden plays again, this time at our new favorite venue, Fat Baby with The IOs, & an acoustic set by PS. The gnome in my closet is debating whether I should be allowed out on Thursday. He says I have a lot of work to do. I'll try and do some convincing.

    Friday is the day I've been waiting for, where my secret boyfriend Tom Vek returns to me. Okay, or he'll be playing a guaranteed amazing set at The Knitting Factory. Either one. After, I'll be heading over to Scenic for an open bar, where Mr. Vek himself will be DJing alongside Matt from The French Kicks. I'm guaranteed to get sloppy and make a fool out of myself. It's bound to be a good time.

    Save the date:

  • Issue Seven Release Party, November 18, at Crash Mansion. Have I mentioned this before?
  • Innaway on November 21, Sam Champion on November 22, The Cribs on November 28, and Nellie McKay on December 6 (early show). All at Mercury Lounge.
  • Issue Seven Cover Story The Five O'Clock Heroes will be opening for the ultra fab The Subways at Rothko on December 6.
  • The Diggs will release their long awaited full length debut on December 9 with a show at Sin-E. I'm pumped.
  • Issue Seven Release Show part deux coming up in December at Fat Baby. This issue is so good that it needed two release parties. Duh.

    Back to work!

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